John Bankston Craig Calderwood Taraneh Hemami Lynn Hershman Leeson Gregory Kaplowitz Evie Leder Masako Miyazaki
Curated by Brion Nuda Rosch
Installation View, Gallery 104 Minnesota Street Project, San Francisco
Installation view, L — Taraneh Hemami, R — Lynn Hershman Leeson
Installation view, table — John Bankston, L — Lynn Hershman Leeson, R — Gregory Kaplowitz
Lynn Hershman Leeson, Roberta’s Construction Chart #2 (Suggested Alterations), 1975. Chromogenic print 16” x 20” Courtesy of Anglim Gilbert Gallery
Foreground: John Bankston, The Explorer Still’s, 20 l 5. Ink, water soluble pencil on paper. Each 8 l /2 x 11 inches, Courtesy of Rena Bransten Gallery, San Francisco
John Bankston, The Explorer Still’s, 20 l 5. Ink, water soluble pencil on paper. Each 8 l /2 x 11 inches, Courtesy of Rena Bransten Gallery, San Francisco
John Bankston, The Explorer Still’s, 20 l 5. Ink, water soluble pencil on paper. Each 8 l /2 x 11 inches, Courtesy of Rena Bransten Gallery, San Francisco
Installation view, L — Evie Leder, table — Masako Miyazaki, R — Gregory Kaplowitz
Evie Leder, The Parts; Featuring Brontez Purnell, Raw photographic prints, archival print on 100% cotton Hahnemuhle Baryta, 24″ x 36″ image courtesy the artist, Black and White Projects
Installation view, L — Craig Calderwood, corner — Gregory Kaplowitz, R — Evie Leder
Evie Leder, The Parts; Featuring Brontez Purnell, Raw photographic prints, archival print on 100% cotton Hahnemuhle Baryta, 24″ x 36″ image courtesy the artist, Black and White Projects
Installation view, Craig Calderwood
Craig Calderwood, Losing It, 2017, Pen on paper (drawn with non dominant hand) 8.5” x 11"
Craig Calderwood, Losing It Pt. 2, 2017, Pen on paper (drawn with non dominant hand) 8.5” x 11"
Installation view, L — Gregory Kaplowitz, R — Craig Calderwood, foreground — John Bankston
Installation view — Gregory Kaplowitz
Installation view — Gregory Kaplowitz
Gregory Kaplowitz, Portal, 2015 Cyanotype emulsion on cotton jersey fabric over cradled birch wood panel, 11 x 14 x 1 inches
Gregory Kaplowitz, Portal (Net), 2018 Flashe, mesh fabric, and wood supports 11 x 14 x 1 inches
Gregory Kaplowitz, Portal (Net), 2018 Flashe, mesh fabric, and wood supports 11 x 14 x 1 inches
Masako Miyazaki, Temple No. S. 2016. Plaster 12 x 12 x 4 inches. Edition of 4
Masako Miyazaki, Temple No. S. 2016. Plaster 12 x 12 x 4 inches. Edition of 4
Masako Miyazaki, Temple №1. 2016, Plaster, 7.5 x 8 x 5 inches. Edition of 4
Masako Miyazaki, Temple №1 (detail) . 2016, Plaster, 7.5 x 8 x 5 inches. Edition of 4
Masako Miyazaki, Temple №1 (detail) . 2016, Plaster, 7.5 x 8 x 5 inches. Edition of 4
Exhibition continues in the Media Gallery:
Evie Leder, The Objects, Featuring James Jeske, Raw video, ambient audio Twelve minutes. image courtesy the artist, Black and White Projects
Evie Leder, The Objects, Featuring James Jeske, Raw video, ambient audio Twelve minutes. image courtesy the artist, Black and White Projects
Evie Leder, The Objects, Featuring Justin Chin, Raw video, ambient audio Twelve minutes. image courtesy the artist, Black and White Projects
Evie Leder, The Objects, Featuring Justin Chin, Raw video, ambient audio Twelve minutes. image courtesy the artist, Black and White Projects
It was very late last night I sat at the radio Dialing from left to right Why I do not know
I heard a man in a voice low And sweet with circumspection Say innocent listener don’t you know The flame is its own reflection The flame is its own reflection
He turned me on off I turned him We tuned out all direction I sat alone my head aswim The flame is its own reflection! The flame is its own reflection!
The universe is nought but sound Sound is its own perfection Mind is the only truth I’ve found The flame is its own reflection! The flame is its own reflection!
I sat alone my head aswim The flame is its own reflection! Mind is the only truth I’ve found The flame is its own reflection! Mind is the only truth I’ve found The flame is its own reflection! The flame is its own reflection!
